The Dream Career
Sharing Your Testimony

Life has always been so full of interesting and exciting things to do, I could never settle for just one career. During my 60 years on earth I have been a truck driver, school teacher, tax preparer, computer consultant, graphic artist, investment advisor, surgical scrub tech, interior decorator, carpenter, corporate director, book and newspaper publisher, web designer and held several other fascinating jobs. But through them all, I've always dreamed of being and been a writer - sometimes paid, others not.

Someone once told me almost anyone can be a writer. In a way, that's true. If you're literate and take the time to write, you can probably get someone somewhere to read what you've written. Yet, to REALLY be a writer (paid or not) takes more effort and personal commitment than that.

First of all, you must have something to say.... And what's the most important thing you have to say? There can only be one answer: The most important thing you can share with anyone is the Gospel! The Good News! Of Course, you can serve the Lord with your words in many different ways, in many varied venues. You can use your own unique writing style to serve God and man, but the most vital message among any you may create is the one telling a lost world of the Saviour.

Next, you must be willing to work and work hard. You must not be discouraged by rejection slips or failures, nor let elapsed time become your enemy. Keep writing, keep submitting, keep getting your words in front of readers any way you can.

Always... continually, you must pray that the Holy Spirit will guide you as you write. Listen closely for His still small voice.

If you want to write, you are in a special time. The computer has made authorship especially easy. Creation, editing and proofing are many times more simple than ever before, plus you can get your work out on the internet with relative ease. There it may be read by thousands! All at once you're a published author! From there, you can go almost anywhere....

Try these links:

• The Digital Journalist
• Poets & Writers' Online
• AuthorLink
• Writers on the Net
• Avalanche of Jobs for Writers, Editors, and Copywriters
• Writer Workshops

Now, read the piece below and consider making a career a reality...

The Shadowland of Dreams
By Alex Haley

Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between "being a writer" and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. "You’ve got to want to write," I say to them, "not want to be a writer."

The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.

When I left a 20-year career in the Coast Guard to become a freelance writer, I had no prospects at all. What I did have was a friend with whom I’d grown up in Henning, Tennessee. George found me my home - a cleaned-out storage room in the Greenwich Village apartment building where he worked as superintendent. It didn’t even matter that it was cold and had no bathroom. Immediately I bought a used manual typewriter and felt like a genuine writer.

After a year or so, however, I still hadn’t received a break and began to doubt myself. It was so hard to sell a story that I barely made enough to eat. But I knew I wanted to write. I had dreamed about it for years. I wasn’t going to be one of those people who die wondering, "What if?" I would keep putting my dream to the test - even though it meant living with uncertainty and fear of failure. This is the Shadowland of hope, and anyone with a dream must learn to live there.

Then one day I got a call that changed my life. It wasn’t an agent or editor offering a big contract. It was the opposite - a kind of siren call tempting me to give up my dream. On the phone was an old acquaintance from the Coast Guard, now stationed in San Francisco. He had once lent me a few bucks and liked to egg me about it. "When am I going to get the $15, Alex?" he teased.

"Next time I make a sale."

"I have a better idea," he said. "We need a new public- information assistant out here, and we’re paying $6,000 a year. If you want it, you can have it."

Six thousand a year! That was real money in 1960. I could get a nice apartment, a used car, pay off debts and maybe save a little something. What’s more, I could write on the side.

As the dollars were dancing in my head, something cleared my senses. From deep inside a bull-headed resolution welled up. I had dreamed of being a writer - full time. And that’s what I was going to be. "Thanks, but no," I heard myself saying. "I’m going to stick it out and write."

Afterward, as I paced around my little room, I started to feel like a fool. Reaching into my cupboard - an orange crate nailed to the wall - I pulled out all that was there: two cans of sardines. Plunging my hands in my pockets, I came up with 18 cents. I took the cans and coins and jammed them into a crumpled paper bag. There Alex, I said to myself. There’s everything you’ve made of yourself so far. I’m not sure I ever felt so low.

I wish I could say things started getting better right away. But they didn’t. Thank goodness I had George to help me over the rough spots.

Through him I met other struggling artists, like Joe Delaney, a veteran painter from Knoxville, Tennessee. Often Joe lacked food money, so he’d visit a neighborhood butcher who would give him big bones with morsels of meat, and a grocer who would hand him some wilted vegetables. That’s all Joe needed to make down-home soup.

Another Village neighbor was a handsome young singer who ran a struggling restaurant. Rumor had it that if a customer ordered steak, the singer would dash to a supermarket across the street to buy one. His name was Harry Belafonte.

People like Delaney and Belafonte became role models for me. I learned that you had to make sacrifices and live creatively to keep working at your dreams. That’s what living in the Shadowland is all about.

As I absorbed the lesson, I gradually began to sell my articles. I was writing about what many people were talking about then: civil rights, black Americans and Africa. Soon, like birds flying south, my thoughts were drawn back to my childhood. In the silence of my room, I heard the voices of Grandma, Cousin Georgia, Aunt Plus, Aunt Liz and Aunt Till as they told stories about our family and slavery.

These were stories that black Americans had tended to avoid before, and so I mostly kept them to myself. But one day at lunch with editors of Reader’s Digest, I told these stories of my grandmother and aunts and cousins. I said that I had a dream to trace my family’s history to the first African brought to these shores in chains. I left that lunch with a contract that would help support my research and writing for nine years.

It was a long, slow climb out of the shadows. Yet in 1970, 17 years after I left the Coast Guard, Roots was published. Instantly I had the kind of fame and success that few writers ever experience. The shadows had turned into dazzling limelight.

For the first time I had money and open doors everywhere. The phone rang all the time with new friends and new deals. I packed up and moved to Los Angeles, where I could help in the making of the Roots TV mini-series. It was a confusing, exhilarating time, and in a sense, I was blinded by the light of my success.

Then one day, while unpacking, I came across a box filled with things I had owned years before in the Village. Inside was a brown paper bag.

I opened it, and there were two corroded sardine cans, a nickel, a dime and three pennies. Suddenly the past came flooding in like a riptide. I could picture myself once again huddled over the typewriter in that cold, bleak, one-room apartment. And I said to myself, The things in this bag are part of my roots, too. I can’t ever forget that.

I sent them out to be framed in Lucite. I keep that clear plastic case where I can see it every day. I can see it now above my office desk in Knoxville, along with the Pulitzer Prize, a portrait of nine Emmys awarded to the TV production of Roots, and the Spingarn medal - the NAACP’s highest honor. I’d be hard pressed to say which means the most to me. But only one reminds me of the courage and persistence it takes to stay the course in the Shadowland.

It’s a lesson anyone with a dream should learn.

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